The essence of my practice is a willingness to explore. I don’t categorize my art into the strict dichotomy of figurative and abstract; instead, I let each piece flow freely, following its own internal logic.
Creation, for me, is a dialogue between artist and artwork—a process where I train my ear to subtle cues and impulses. Whether it comes in a single stroke or feels like a drawn-out battle with the canvas, this exchange guides me. As soon as a piece is finished, I instinctively know it’s complete. That’s always the moment when I resist taking any further steps. My approach to colour is equally intuitive. If I catch the fleeting sense that a certain piece needs a layer of vermillion, I commit to it, even if my conscious mind resists. This tension—this push and pull—is demanding, but it’s essential for my growth as an artist. When I’m fully immersed in my work, I often enter a flow state where time fades away, and all that matters is my interaction with the piece. The process of creating art is one of revelation and self-revelation. Each time I step into my creative field, I venture into uncharted territory and push the boundaries of my own limits. I don’t follow a prescribed path; I follow intuition and creative insight wherever they lead me.